Ever wondered when “googled” was first accepted as a verb on television? If not, no worries neither have I until this post. Take a guess on who began the “Have you googled her yet?” or just click here to find out!
Just a couple more months till sleep deprivation occurs. All episodes of Friends will soon be obtainable to stream! Mark your calendars and be prepared for countless hours of entertainment.
Throughout the years, women on television sitcoms have been depicted stereotypically in their gender roles. Women were associated with a specific presence in front of an audience, one which left the role of comedian to their male counterparts. However, there has been a surge in modern television shows that exemplify feminism. As defined by Merriam Webster, feminism is the belief that men and women should have equal rights and opportunities. The classic show Laverne and Shirley, for example, is about two young independent woman living together on their own while working at a Milwaukee brewery. An article, by Nara Rutten, mentions “three types of gender roles for women: the traditional woman, the liberated woman, and the modern woman.” The leads of Laverne and Shirley, are representative of a liberated womanhood, which is defined as women who are “freed from or opposed to traditional, social, and sexual attitudes or ways of behaving.” As we’ve grown more accustomed towards female lead presences on our favorite shows, it is our jobs as the viewers to understand the fundamentals behind the revolutionizing of women leading TV, in the most unconventional roles.
We are currently in the third-wave feminism and as society embraces female empowerment and equality in fair representation, we see various media platforms embracing the message as well. This as a result began creating communities of multiple individual acknowledging a cultural shift in our society. Becoming more aware of feminism and its purpose, we are able to conduct feminist TV analysis in order to consider how many television sitcoms portray female equality and embrace feminism.The roles of women on television have drastically changed over time; from Leave it to Beaver’s, June Cleaver’s stay-at-home housewife role to The Cosby Show’s, Clair Huxtable’s career-orientated role. In Gabrielle Moss’s article, Sitcoms are the Golden Land of Feminist TV Characters, she exclaims, “Sitcoms are broadening their ideas of what kind of woman a feminist can be, and I think we have more feminists as sitcom protagonists than we ever have before.”
What exactly does feminism imply? Whether or not the the foundation of its principles lie within fair representation and equality in opportunity, feminism is highlighting a new aspect to consider when it comes to roles in television; particularly situational comedies. While the rise of female lead characters are at an all time high, sitcoms are introducing a medium of power which women are not typically associated with: comedy. With shows such as 30 Rock, New Girl, and The Mindy Project, women are not only the ones in control, but they are the ones who dictate the last laugh. The transitioning into “female-friendly” TV is coming of age only because of the female pioneers who preceded. In an interview with Roseanne Barr and Mindy Kaling, it is Kaling who credits Burr for making it easier for powerhouses like Tina Fey and Amy Poehler to break into the men’s world of creating comedy. Successful comedic women understand that focusing on the fight for feminism is not big enough to get them as far as they want to go. Essentially a concept of “fake it ‘till you make it,” true success is achieved when you believe that you are the best person for your job in the room. To get over gender, one must look past gender. Roseanne Burr for example, of the classic show “Roseanne” credits her success towards her mission of NOT directly addressing the concept of feminism. Her idea was to create the most accurate depiction of a working class woman and mother as she could, and she very well knew that the only way she could achieve the perfect culmination of her ideas was to produce and star in it it herself.
The idea of feminism and comedy is one which is both intertwined and transcendental. A prime example of transcendentalism in comedy is Clair Huxtable of “The Cosby Show” and the “Huxtable Effect.” Her characterization was one which inspired the likes of many current female sitcom leads to stop whining on their shows about girl power and how women should be treated by their men. Instead, the approach which was adopted was one of more directness: portraying roles of sharp wit which lead to power. Comedy on television is brasher now, leaving nothing unscathed as both male and female leads are truly submerging themselves within their crafts to be the funniest person in the room. Feminism is an issue which is unfortunately still an issue. It is an ideal and concept which should be realized to the fullest without prejudice. But the best way to attain power isn’t to beg an audience for it. As something great comedic women such as Roseanne, Tina, Amy, and Mindy understand: the way to keep feminism alive and relentless is to show no recollection of women being treated unfairly and to carry on slaying in men’s territory.
This blog is a joint effort brought to you by bloggers jasselyngtz and tahesincerely
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Talk about a a spin-off of the original 1960’s Bewitched will air soon on television. Check out what producers decided for its story line!
At one point the FCC, Federal Communications Commission, had a policy prohibiting the use of swear words and indecency on television. Later, brought up in court, “the broadcasters argued that the revolution in technology that has brought the Internet, satellite television and cable makes even the old rules obsolete.” In 2012, “the Supreme Court’s decision didn’t, however, invalidate the FCC’s ability to set indecency rules — just its ability to enforce the rules through fines and sanctions.“ Even so, broadcasters eventually gained more freedom to what they were allowed to air on television with a few setbacks of course.
When it comes down to it there are not one set of rules to be followed as generations grow and meanings of words change over time. If an individual finds a television show indecent or displeasing to their taste then that individual can easily flip to another channel or turn off the TV completely. The definitions of words we have now didn’t always have the same definitions as back then. The Origin of Swear Words provides history of where particular words originated from. Melissa Mohr also explains, “as society evolves, so do our curse words. Here’s how some of the most famous ones developed–and a few new ones.“
I’m not suggesting I agree with all the words that are freely expressed, but sometimes you should consider accepting how and when the word is being used. For instance, Neda Ulaby states, “Seriously, if you were being attacked by zombies, you might yell out the word f- – -! But no one does on The Walking Dead.“ The amount of swearing has increased and its use of a swear word is openly expressed more often. Shelley Emling writes and asks Huffington Post readers their “favorite swear words from years past”. Furthermore, there is no control of new words producing and it being the new “swear word” of the time.
Has media played a big role in encouraging sexual activity at an early age? Parts of society believe this to be true, while others disagree and claim, “that increased sex on TV could even be a positive.”
I find this to be true. Many individuals, especially parents, are concerned with the influences it partakes in adolescents. Rick Nauert PhD exclaims,”Adolescents who have high levels of exposure to television programs that contain sexual content are twice as likely to be involved in a pregnancy.”
Exposure to the “perfect” environment and ideals about sex on television programs can deceive a young mind. Without properly educating adolescents of what experiences sex can come of, gaining knowledge from only media can create impulsive actions.
Psychologist Dave Walsh tells USA Today, “If I’m a 15-year-old kid and no one’s really talking to me about sex and I’m watching a lot of sex on TV, it’s not a direct, conscious decision — but over time I start to think, ‘That’s what people do. That’s the norm.”
Sex-scenes on television have gradually increased throughout time. TIME displays The Brief History of Sex on TV, mentioning a shared bed in Bewitched to Charlie’s Angels “family-style porn”. Even then, TV had to be regulated for what was to be shown throughout different hours of the day. Michael O’Malley, Associate Professor of History and Art History, George Mason University explains the regulations televisions networks had to adhere.
However, what is considered to be overly indecent? Whatever the case, the only way an adolescent can be limited to sexual content shown on television programs is to try to monitor what they’re watching and discuss the facts of becoming sexually active. It is obvious sexual content is being exposed more publicly but, how they are exposing sexual activity is merely a fantasy most uninformative individuals would expect sex to be. With this in mind, it encourages and creates a higher chance of an adolescent to get involved with such interactions.